fix(scoring): restore marker comparison and hit sound order

The original score helper compares signed high words and unsigned low words,
which is a signed 32-bit comparison of the wrapped score bits. Rust used an
unsigned comparison and could award a media marker after the score crossed the
sign bit. Type-four trigger handling also queued WAVE 2004 after score mutation,
so it replaced WAVE 2007 when the same hit crossed an extra-ball threshold.

Use the binary's comparison semantics and dispatch the type-four hit sound
before both ordinary target and player-effect score mutations. Regression tests
cover both trigger paths, the exact monophonic event order, and a score with the
high bit set.

Test Plan:
- `cargo test --workspace --all-targets --all-features` -- 115 passed
- `cargo clippy --workspace --all-targets --all-features -- -D warnings` -- passed
- `rumdl check --flavor commonmark RECONSTRUCTION.md CHANGELOG.md` -- passed
- `git diff --cached --check` -- passed

tdkpin-rs/CHANGELOG.md

@@ -153,11 +153,14 @@ and this project adheres to
 - Dispatch the original per-call-site sound sequences instead of assigning one
   guessed WAV to each logical event. This removes the nonexistent WAV 2022
   playback and restores bank, trigger, capture, nudge, tilt, and drain cues.
+  Type-4 WAVE 2004 now precedes its score mutation so a simultaneously crossed
+  media marker leaves WAVE 2007 audible, as in the monophonic original.
 - Advance media/extra-ball thresholds only from score additions, preserve
   32-bit score wrapping, and restore the ninth-diamond ordering: its 24,464
   award remains single, then permanent double scoring and all three magnetic
   fields activate before the collision's static score. Every later completed
-  bank adds 100,000 to the secondary score.
+  bank adds 100,000 to the secondary score. Marker comparisons retain the
+  binary's signed-high/unsigned-low 32-bit ordering after score wrap.
 - Match the original 640x460 window, native 16x28 score glyphs, and
   `TDK Pinball Machine 1.00` title so the recovered artwork is presented
   one-for-one instead of enlarged or resampled.